RIDING RICKSHAWS IN DAVID CARRADINE’S FOOTSTEPS, CHILD BRIDES IN TOW
January 22, 2010, 8:29 am
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Journalism 101: Never let the facts get in the way of a good story
As I work in the press, I’m always quick to defend journalists, especially against the stereotype that they “make things up”.
It is true, though, that facts can be shaped to fit an agenda, and also that whenever there are two or more sides to a story, a journalist can take whichever side best fits his remit. But they can’t simply make things up.
For a start, it’s against the law. If a newspaper prints a story about a person or event, and cannot prove that it is true if required to do so, then it will face penalties.
Take, for example, the 2004 case of the Daily Mirror‘s publication of photos which apparently showed British soldiers abusing an Iraqi captive. Desperate for a sensational scoop, The Mirror didn’t check the authenticity of the pictures, which were later proven to be fake. The result – editor Piers Morgan was fired.
So, a publication really can’t “make things up” without risking personal, political or financial repercussions. However, that’s not to say it never happens. While I may be quick to defend the press against this stereotype, at the same time I am quick to criticise journalists who do contribute to it.
Of course, they’re all out for a good story, and they all dream of that sensational scoop. Fair enough. But if it isn’t there, you shouldn’t force it to be there. Don’t create a sensation where one does not exist, and do not add details that don’t exist for the sake of adding character or credence to the story. In other words, don’t make it up.
So, while I’m often quick to defend journalists, by the same token I believe those who are guilty of passing off fantasies as facts, or who use creative licence to such a degree that they are no longer writing non-fiction, should be named and shamed.
By all means have a stance, an agenda. We all have our remits and our biases; this is human nature, as well as the nature of the media. But the points used to engender a stance must at least have grounds in reality, or else you risk damaging your own reputation, as well as that of your employer.

"If only one investigative journalist follows my footsteps, then my death won't have been in vain."
When it comes to sensationalism, Bangkok is an easy target. Even people who have never been here will have their opinions about it, right or wrong, mostly formed from the movies and the lurid tales that their friends bring home from their holidays.
Much of it is exaggerated, but not outrageously so. The real Bangkok is variously exotic, steamy, sexy, dangerous, chaotic, cultured, corrupt. The city’s reputation precedes it, and in many ways it is justified. The possibilities for an investigative journalist are endless.
Which makes it all the more unforgiveable when one writes a piece that is so ludicrously overblown, and in which the “facts” are so easily debunked by anyone with even the most passing experience in Bangkok, that it calls into question whether the writer has even visited the city.
The story in question appears here. Note that is not the work of a ranting blogger or an enthusiastic but undertrained freelancer.
No, it is an article published by Maxim, one of the world’s leading glossy men’s magazines, and attributed to a scribe called Mark Ebner, who, apparently “has been covering crime and Hollywood for 20 years”.
The piece is a follow-up on the shadowy death of David Carradine in a Bangkok hotel room last June. (Unfortunately the article was only recently brought to my attention.) Carradine’s passing, whether suicide, murder, or sex games gone wrong, was the ideal backdrop to a piece of investigative reportage from one of the world’s most infamous sin cities.
It could have been done so well. But Ebner apparently visited a Bangkok that, in cultural terms, hasn’t existed since the 70s, and in geographical terms, doesn’t exist at all! His sense of geography makes you wonder if indeed he’d even physically set foot in the city.
The creative licence used to colour his adventures are so far-fetched that an article with such potential loses all credibility – and even if (and I don’t) that could be justified as merely an application of the art, what can’t be forgiven, especially for such a prestigious magazine, are the atrocious geographical errors which riddle the piece, followed by the downright irresponsible reports of child prostitution.
At best, this writer simply wasn’t paying attention when here. At worst, perhaps Ebner didn’t even travel to Bangkok at all.
You can read the full article at Maxim.Com but for your convenience, here are some selected passages.

The Nai Lert Park Hotel, where Carradine met his end - a scene from a sordid sex capital if ever I saw one.
… wasn’t it a little too convenient that such a sordid suicide should take place in Bangkok, the sex capital of the world?
Ebner sets out his stall early. Yes, Bangkok has a deserved reputation for its vice, but sex capital of the world? OK, it’s up there in the rankings, for sure, but even within the same country, Pattaya is by far the more notorious, and within the region Phnom Penh is just as infamous, with a darker tone, too.
I’m not saying the writer is essentially wrong in his description of Bangkok – after all, how would you measure such a thing? – but I have the feeling that if Carradine had died in Amsterdam, the same writer would have applied the same label there.
… a teeth-rattling cab ride through the smog-choked, sweltering squalor of metro Bangkok, dodging rickshaws and limbless sidewalk cripples begging for change.
Teeth-rattling? Bangkok’s – and, in fact, most of Thailand’s - roads are flat and paved and have been for some time.
Squalour? Yes, there are slums in Bangkok, but an average crosstown cab ride doesn’t even come close to them. Large parts of Bangkok are modern and well-maintained.
Dodging rickshaws? Rickshaws? Did Ebner board a time machine rather than a commercial airline, and land in Bangkok 1974 rather than Suvarnabhumi Airport? Hands up anyone who’s seen a rickshaw in modern-day Bangkok. Anyone? OK, in the last decade? Two? Anyone at all? Thought so.
Smog, sweltering temperatures and “limbless cripples” (even though that is an excellent example of tautology, and since he says they were on the sidewalk, why was his cab forced to dodge them?), I’ll give him. But already we can see the writer is more concerned with painting an atmosphere to suit the story, rather than “follow in Carradine’s footsteps”, as he claims is his mission.

Open-air sex, Patpong market style
A vast open-air sex market, the Patpong is a 20-minute walk from the hotel…
Ebner’s description of his adventures in Bangkok’s red light districts are where he really gets lost. “The” Patpong? Nobody calls it “the” Patpong any more than people call London’s red light district “the” Soho.
A “vast, open-air sex market”? Well, I won’t dispute the “sex market” description, but that side of things is far from open-air. Patpong’s sex – and sale of such – goes on behind the doors of bars and massage parlours, not in the street. True, street walkers do ply their trade in Bangkok, but Patpong’s set-up is primarily indoors. There is an open-air market in Patpong, though – only it sells bootlegged clothes and watches, not sex.
Furthermore, to walk from the Nai Lert Park Hotel to Patpong – and good luck with that, given that one thing the author accurately conveys is the city’s heat and humidity – would probably take over an hour, not a mere 20 minutes.
The Patpong is divided into Soi 4, which is predominantly gay; Soi Cowboy, a note-perfect re-creation of pre-Disney Times Square, designed to cater to the Western tourist; and Nana Plaza, which is where they keep the kink.
OK, now he’s really lost me. For a start, Patpong, Soi Cowboy and Nana Plaza are three entirely different, and distinct, places, all separated by distances that require taxi rides or skytrain/subway runs. There’s no possible way anyone could mistake them being one and the same – unless, perhaps, they hadn’t even set foot in Bangkok and research for the article consisted of Googling “Bangkok red light district”?
Finally, is Nana Plaza really where they “keep the kink”? If so, would those in the know care to share this information with me? (We’ll discuss the kickback later.) Because as far as I can tell, all three red light areas offer much the same fare of standard hostess bars and go-go joints. Now, if women dancing in bikinis or fawning over middle-aged men is “the kink”, then so be it, but personally it takes a bit more than that to shock me.

Typical prostitutes line up outside the Nana Hotel
Looking for answers at the dodgy Nana Hotel, I meet a striking-looking child bride…
This is where Ebner goes beyond mere inaccuracy and enters dangerous irresponsibility. In painting his lurid picture of the supposed world’s sex capital, he couldn’t resist throwing into the mix a predictable dose of paedophilia.
Let me make this clear: in almost two years living in Bangkok, not once have I seen anything that even hinted at child prostitution. Unfortunately there was once a time when Thailand was on the map for such things, but like the author’s experiences with rickshaws, that is something that was left behind decades ago.
Now, I’m not naive enough to think it doesn’t happen somewhere, but the point is that the average tourist is not going to walk into one of Bangkok’s most famous and busiest streets and be propositioned by a child, just like that.
I do not spend a lot of time in Patpong, but I have been there enough times to comment on it, and as said, if I haven’t seen such things in my two years here, I very much doubt this writer would have within a day of arrival.
For the record, while prostitution remains technically illegal in Thailand, it is tolerated and well-regimented, and the working girls in the bars are all 20 and older – and have the ID to prove it. It is more than a bar’s business is worth to break such serious laws.
Thailand has worked hard to cast off its reputation as a child sex destination and this article sets back such efforts. If it was an expose, detailing how such practices continue, then it might have had merit, but coming as it does in the midst of an article strewn with inaccuracies and sensationalism, then we have to take it for what it appears to be: rubbish.
…but for 10,000 baht (roughly $300 in U.S. currency) she will come back to my hotel…
At anything from five to 10 times the going rate, this guy’s Googling hit on the wrong info. Unless he really was here, and was quoted that, which I suppose would be possible if he showed as much cluelessness in his interactions as he does in his writing – Bangkok’s ladies of the night can spot a sucker coming a mile off (or even a “20-minute walk” away).
Mr Ebner, come on, this is not rural North Korea or a far-flung Pacific island. You can’t write wildly fanciful things about the capital city of a country which attracts over a million tourists a year and has a population of eight million people, with a large, English-speaking expat population, and expect to get away with it.
Thankfully the comments added to the article call him to task, but so far neither the man himself nor the commissioning magazine have responded.
THE LEO BEER CALENDAR CONTROVERSY: NO SEX (OR BEER) PLEASE, WE’RE THAI
December 21, 2009, 9:47 am
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Sex objects forced to flaunt their bodies to promote the devil's nectar
It is often assumed that the people who complain loudest about something have the most to hide. That’s the prevailing logic about homophobia – that those who hate gays do so because they are seeking to deny something about themselves.
And it is certainly the case with the recent controversy over the Leo Beer 2010 calendar launched here in Thailand last week – and promptly banned from sale or distribution by the government.
The reason for the ban was two-fold. First of all, alcohol advertising laws in Thailand forbid the linking of alcohol with fun. Secondly, nudity is forbidden in the media. As this was a calendar promoting beer through the use of body-painted (so, officially nude in that they weren’t actually clothed, even though they were at least visually covered) models, it was always likely to offend someone in a position of power.
Now, if a government wants to control how alcohol is advertised, that is fine. You could even praise them for being responsible about what is, after all, a health issue. Furthermore, there are those who will have their arguments against presenting the female form in a sexual context. Again, there are valid arguments for this.
But this is Thailand. It’s not Utah or Indonesia. I’m not criticising those places, but the point is, they practice what they preach. They set out their stalls and they stick to them. The hypocrisy in the Thai government banning a sexy beer calendar is striking.
Let me take the two offending points one at a time.
First of all, the advertising of alcohol. They say alcohol should not be equated with fun. Fair enough. But then why is it most concerts and festivals here are promoted by major beer and/or whisky brands? Are concerts and festivals not fun?
A friend of mine went to a Chang Beer-sponsored reggae festival in Bang Saen beach a couple of months ago and said his 1,500 baht (30 pounds) ticket included 32 bottles of beer. Thirty-two! Per person! To be consumed in one day.!Perhaps the logic there is that even if it were physically possible for any human being to drink 32 bottles of Thailand’s strongest beer (6.4%) in one sitting, it would cease to be fun long before you even hit the halfway mark. Alcohol = fun? Not when you’re puking your innards out en route to an 18-hour hangover.
Furthermore, how puritanical can a government be in terms of promoting alcohol, when it is possible – no, easy - to get a drink literally 24 hours a day in Bangkok?
If the government was so concerned with reducing its citizens’ alcohol consumption, then perhaps it would be better served looking into the illegal after-hours pubs, the itinerant street bars, and the unlicensed shops, than cracking down on a calendar which doesn’t even depict actual beer, only the logo of the brand.
Now, personally I’m not against the idea of all-night bars. The responsibility of how much a person drinks, and until when, surely rests with that person. I’m a bit of a night owl and it’s good to know I can go out at 2am if I fancy it. But surely if a person is an irresponsible drinker, it’s more to do with the wide availability of affordable drink in this city, than an affordable drink being painted on a girl’s chest.
Secondly, there is the issue of using nude models to promote a product. Some people will argue that such strategies, or indeed any depiction of the female body in a sexual context, demeans them. I don’t agree with that, so long as there is no exploitation involved, because I know a lot of women take pride in their appearance, their sexiness, and if they have the confidence in themselves and their figures to flaunt them, then that is their choice. For some women, to appear in a tasteful nude calendar would be something to be proud of.
Some people may disagree with this, and that’s fine. Apparently the Thai government is among those people. Again, it’s not the stance I object to, but the hypocrisy.
Thailand, and Bangkok, justifiably has a worldwide reputation for its vice. Just as I can get a drink at any time of day or night, similarly I could buy sex at any time. Or I could go to watch semi-nude girls parading on stages. Or doing worse. And then I could take one of these girls home for a modest fee.
So, I can watch sexual content in the flesh – I can even indulge in sexual acts for a price - but I can’t buy a sexy calendar. Because there is a beer logo on it.
Right. As if the literally hundreds of go-go bars in Bangkok serve only orange juice.
The point is, if I was of a mind to do so, I could drink myself into oblivion every day and night in Bangkok. At the same time as I did this, I could watch barely-dressed girls in bars. For many, either or both of these factors are what makes Bangkok such an enticing place. Everybody knows this, many people even embrace it, but the only people who make a show of being conservative is the Thai government.
In fact, it wouldn’t be absurd to suggest the government doesn’t actually want to tackle the problems of alcohol and vice, because these industries are simply too profitable. It just wants to be seen to denounce them.
Tackling the problems of alcohol and vice by banning a calendar is like trying to cure skin cancer by putting a plaster over the tumour. Only in this case, it’s a see-through plaster. We all know what’s beneath.
* You can see some of the uncensored images from the calendar here. Judge for yourself if this was worth banning.
VIOLENT, FORCED ABORTIONS: GOOD. SMOKING: BAD
November 18, 2009, 6:06 am
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DIY abortions on Thai TV
I don’t subscribe to the idea that all censorship is bad. As much as I appreciate freedom of speech and expression in the media and arts, I do believe in sensible censorship of the most extreme opinions and/or images. For example, I think it’s quite right that distributing material which incites hatred is a crime in the UK, and that the USA’s Freedom of Speech law, which allows for the same to go unpunished, is a little lax.
But if censorship is to be enforced, it has to be done with common sense, and it must also treat the public with a modicum of respect for its intelligence. Consequently, I think sweeping bans on certain major websites (such as in China), or on publicly expressing certain opinions about a very important part of Thai life and culture (which, for obvious reasons, I can’t discuss here), do more harm than good.
But before I get into any deeper political comment, it was actually a daft juxtaposition in a schlocky Thai horror movie that got me thinking about censorship. It was Long Kong 2, or Art of the Devil 2 in English, which was shown on the cable channel True Film Asia. I only watched a segment of the movie, which was evidently about black magic. What I saw – unedited – was a pregnant woman strapped down on a bed and subjected to the electrocution of her genitals with a cattle prod, followed by a forced abortion by repeatedly thumping her in the torso. The foetus was then crudely yanked out of her, slopped into a bowl and then dumped outside. Nice.
Now, I’m not easily shocked. I’ve seen plenty of gory movies. The scene, while obviously disgusting, didn’t really bother me. But what did get a reaction from me – that of incredulous laughter – was the follow-up scene of one of the bad guys relaxing after the crude abortion ritual by smoking a cigarette – and it was this that got censored! A mosaic blurred out the offending object – the cigarette – whenever the guy lifted it to his mouth (although it was fine to show it being carried in his hand – only actual cig-to-mouth contact was deemed offensive).
Electrocution of vaginas and bloody foetuses in a bowl? Not a problem! But god forbid any impressionable people see the despicable act of smoking a cigarette on TV at 11pm on a Friday night.
It’s not unusual to see mosaicing in Thai movies on TV. It is also used to cover up guns (similarly, it’s fine to see a gaping head wound, so long as you don’t show the weapon that caused it!). But what is curious is that the same censorship is not applied to foreign movies. So Hollywood’s finest are free to tote guns and smoke cigs on Thai screens, but local stars are not.
I’d love to hear the rationale – are Thai people more susceptible to influence when seeing one of their own smoking than they would be when watching a farang? If so, then don’t the powers that be consider that occult practices and home abortions might be slightly more dangerous than smoking? Certainly if I had a child or teenager, I know which images I’d be more worried about them seeing.
Then again, this is a country where prostitution is tolerated – promoted, even, in some places – yet pornography is banned, so perhaps I shouldn’t be surprised. Just don’t mention the ********.