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With late April marking the anniversary of my move to Thailand, and with this year marking my sixth anniversary, I have decided to compile a series of “Six of the Best” features encompassing my hobbies and interests, which I have enjoyed during my time here. I will start with films made in, or set in, Thailand. The list is in chronological order of the year of production.
1. MUAY THAI CHAIYA (2007)
The first Thai film I saw after moving here remains one of my favourites. I watched Muay Thai Chaiya (simply Chaiya/ไชยา in Thai) almost as a token – “I’m in Thailand so I should watch a Thai film” – but I had a similar experience to when I watched Fight Club for the first time. Expecting a simple beat-‘em-up, I was given so much more. Chaiya is, on the surface, a martial arts movie, but its narrative charts the coming of age and moral corruption of three pugilistic brothers as they move from the idyllic southern district of the film’s title to ’70s Bangkok to chase big bucks in the ring.
The three brothers’ fates take differing turns; one’s boxing career is cut short through injury, another pursues legitimate championship aspirations, and the third is drawn into Bangkok’s lucrative but increasingly dangerous underground fighting circuit. Organised crime influences all three, and their competing egos and influences make for a blood-soaked morality play of love triangles, sibling rivalries and childhood bonds. Chaiya culminates in an absurdly violent climax that some of Japan’s more notorious splatterhouse directors would be proud of, yet it is testament to director Kongkiat Khomsiri’s work that it somehow doesn’t come across as unrealistic. (Kongkiat would later direct another of my favourites, Slice – see next entry).
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If it’s the people that make a place, then Ko Lanta’s beauty is merely superficial.
An Andaman Sea island district in Krabi province, inevitably it boasts clean, warm sea water, miles of beaches, countless palm trees and a laidback atmosphere that attracts many visitors.
However, such assets lose their allure once a visitor experiences human failings on Lanta that range from merely unprofessional through to dangerous and even criminal.
I love Krabi. In fact, I’d probably rank it my favourite Thai province outside of Bangkok. So I will doubtless return, although I’ll lose no sleep if I never set foot on Lanta again after a shambolic final day which involved worry, danger, frustration, anger and eventually the police.
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As I work in the press, I’m always quick to defend journalists, especially against the stereotype that they “make things up”.
It is true, though, that facts can be shaped to fit an agenda, and also that whenever there are two or more sides to a story, a journalist can take whichever side best fits his remit. But they can’t simply make things up.
For a start, it’s against the law. If a newspaper prints a story about a person or event, and cannot prove that it is true if required to do so, then it will face penalties.
Take, for example, the 2004 case of the Daily Mirror‘s publication of photos which apparently showed British soldiers abusing an Iraqi captive. Desperate for a sensational scoop, The Mirror didn’t check the authenticity of the pictures, which were later proven to be fake. The result – editor Piers Morgan was fired.
So, a publication really can’t “make things up” without risking personal, political or financial repercussions. However, that’s not to say it never happens. While I may be quick to defend the press against this stereotype, at the same time I am quick to criticise journalists who do contribute to it.
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But if censorship is to be enforced, it has to be done with common sense, and it must also treat the public with a modicum of respect for its intelligence. Continue reading